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I finally finished Stranger Things. And like a lot of people, I felt… flat. Not because the show was bad. In fact, most of it was brilliant—especially the early seasons. The world-building. The music. The quiet moments with Steve and Dustin. But that final episode? It dragged. And it reminded me of something I see in talks all the time. A speaker holds the room for 20 minutes—clear message, great rhythm, engaged audience. But then they trail off. Their last slide limps by. There’s an awkward “Um, that’s it. Thanks.” No clarity. And unfortunately, our brains are wired to let that final beat shape the entire experience. 💡 ONE IDEA WELLPsychologists Daniel Kahneman and Barbara Fredrickson coined the Peak–End Rule: we don’t remember the full experience of an event. We remember the peak… and the end. A painful medical procedure? If it ends gently, it’s remembered more favourably—even if the average pain score was higher. A holiday? You remember the magical meal or the moment you missed your flight—not every hour in between. Same goes for talks. You can do everything right. But if you don’t finish well, that’s what people remember. TV knows this. 👎 Game of Thrones built eight seasons of loyalty… and lost it all with a rushed final arc. 👍 The Good Place ended with grace and quiet satisfaction because the creators planned the last episode before they shot the first.
And then there’s Twin Peaks. Die-hard fans (like me) remember Fire Walk With Me, but ask most people what stuck in their minds, and they’ll say the scene where Dale Cooper bangs his head into a mirror. Final moments linger. So do final slides. 🧰 TRY THIS✅ Plan your ending first ✅ Use contrast, story, or stillness ✅ End on your own terms ✅ Design a “Peak” too 🧭 ASK YOURSELF THISIf your audience only remembered your last 60 seconds… Would you be proud of what they carried home? 📎 WANT TO DIVE DEEPER? Check out this companion post on Dual Coding Theory — because how you end isn’t the only thing that matters. It’s how you layer meaning along the way. Speak soon, PS Want your team to speak with more clarity and confidence? I run workshops that go beyond “death by PowerPoint” to show how real communication works. Get in touch—let’s make your next session the one they actually remember. |
One idea a week to help you teach and present with more clarity, confidence, and calm. No fluff. No scripts. Just practical tools that land.
Every year at the Academy Awards, someone walks up to the microphone and loses the war with their own nervous system. The lip trembles.The breath goes shallow.The words dissolve into tears. Think of Gwyneth Paltrow in 1999, voice cracking as she tried to steady herself.Or Halle Berry in 2002, overcome as she became the first Black woman to win Best Actress.Or Renée Zellweger in 2020, visibly fighting to keep her speech from drifting away from her. Sometimes those moments are moving.Sometimes...
Lately, I’ve been staying up far too late reading the Aubrey–Maturin series by Patrick O’Brian. I tell myself I’ll stop after one chapter.Then another ship appears on the horizon.Another decision needs to be made.Another thread is left hanging. Before I know it, it’s 1am. I’m currently deep into The Commodore, the seventeenth book in the series — with four still to come. And hovering over the whole thing is a strange, slightly melancholy fact: the twenty-first and final book was never...
Content is still king (even if your hands are shaking) You’ve probably heard this before. Only 7% of communication is words.The rest is tone, posture, body language. It’s comforting.It’s simple.And it scares a lot of people. Because if that were true, then the moment your voice wobbles or your hands shake, your message stops mattering. That’s not how real communication works. I’ve been rereading The Road by Cormac McCarthy.No quotation marks. Sparse dialogue. Sentences stripped back to the...