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Ever seen a talk where the slides felt… off? The speaker’s talking about empathy—but there’s a stock photo of two people hugging. It’s not just awkward. It’s distracting. In my workshop at the APEC conference, I mentioned how less is often more when it comes to slide text. So here’s what I shared: 💡 ONE IDEA WELLWhy Two Channels Are Better Than One In the late 1960s, psychologist Allan Paivio proposed something radical: He called it Dual Coding Theory. 🧠 Hear a word → one system kicks in. That’s why a well-timed diagram or simple sketch can elevate a talk. But here’s where it goes wrong: You’re talking about empathy, so you add a photo of two people hugging. 📚 This is where Cognitive Load Theory steps in. 🎯 The result? Confusion, not clarity. Here’s the real magic: That’s dual coding done well. 🧰 LESS MESS, MORE MESSAGEA cluttered slide is like a noisy room—your message gets lost in the background. Here’s how to clean it up: ✅ Strip away filler text. When in doubt, simplify. 🧭 ASK YOURSELF THISWhat if your next slide had no title… Would it make your message clearer—or scarier? And what would that tell you? If your team struggles with overloaded slides or disconnected delivery, I’d love to help. |
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I’ve been thinking a lot about what it means to show up well.Not perfectly. Not flawlessly. But fully present.Giving a talk at the Compassion Revolution was one of the biggest moments of my year—nine scenes, dozens of rehearsals, lines I’d memorised like poetry.And still…It didn’t go exactly to plan. Not in a cynical way. In a generous one.Because the best presentations aren’t about us. They’re about the people listening. 💡 ONE IDEA WELL They never knew. On the night before my Compassion...
✈️ Airport Thoughts Right now, I’m at the airport waiting to board a flight to Adelaide. Tomorrow, I’ll be stepping onto the stage at Compassion Revolution to do something I’ve never done before. No slides.No clicker.Just me, the audience, and the words I’ve chosen. 🎤 A Talk, or a Performance? Most of the time, I tell people not to memorise every word. Instead: Know your beats.Know where the story turns.Know the feeling behind each section. But this talk… is different. This one’s more like a...
Ever sit through a talk that starts with a mystery — and ends without solving it? It’s like watching a movie that opens on a gun resting on a desk. You notice it. You wait for it. But the payoff never comes. 💡 ONE IDEA WELL Chekhov’s Gun is a simple rule of storytelling: If you show the audience a gun in Act I, you’d better fire it by Act III. In your talk, the “gun” might be a provocative question, a compelling stat, or a case that promises a twist. And if you don’t circle back? You leave...