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I paid my electricity bill during a pre-recorded lecture on assessment. Not after it. The lecture played in one tab and my bank in another. Somewhere between the reference number and the confirm button, the speaker made what was probably an important point. I couldn't tell you what it was. I wasn't listening. This wasn't a one-off. The lecture never brings me back. The slide on the screen hadn't changed. Nothing told me I'd gone. 💡 ONE IDEA WELLThe slide went up. It was dense: a heading, a block of bullet points, a diagram doing its best in the corner. The then speaker spent the next few minutes talking through it. My eyes had finished. My ears hadn't. In a lecture theatre, it would have been harder to leave. A recording has none of that. When I clicked back, it was still there, as if nothing had happened. 🧰 LESS MESS, MORE MESSAGEI don't think it was a bad slide. In a lecture theatre it might have been fine. On a recording, it has to. I've been thinking about this a lot lately. In a couple of weeks, I'm submitting a recorded presentation for my Master's. Somewhere, an assessor will open it in one tab, with their inbox in the other. The obvious fix is to change slides more often and keep the screen moving. The other fix is the little bubble of your face floating in the corner of the slide. I'm not a fan of that either. On a recording, the slide isn't the only thing people are watching. You're the part of the screen that tells a drifting viewer the lecture is still going. ⌨️ TRY THISIf you're presenting or recording on Zoom, this one is in your hands. When you share your screen, open Presenter layout and choose Side by side. When a slide needs to stay up for a while, let it. Look at the camera, not your notes. They'll still open the other tab. You're just trying to bring them back before they've read the same paragraph three times. 🧭 ASK YOURSELF THISWhat tells them you're still there? Know someone recording a talk this term? Forward this to them. PS. If you're one of my assessors and you've got this open in another tab: hello. I'll be on the left-hand side of the screen. |
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I was on my laptop at home after a day at the hospital with my daughter, looking at three lines I still hadn't sent. Talk withdrawn. Slides already submitted. Apologies for the short notice. Three lines to unwind months of preparation and tell a room full of people, a week out, that I would not be walking onto their stage. I didn't press it straight away. I was thinking. Who would I miss? What would I miss? What does it cost the guy who is trying to build a small career on being the one who...
Five minutes into the monologue, and the room had gone still. I was on stage at the Goodwood Theatre in Adelaide, working through Vinh Giang's Stage Academy course, in a small, old room that usually holds school plays and dance recitals, close enough that you can see every face in the crowd. The lights were warm and near. I was telling the story of driving to the hospital, and the sentence that ended that drive. My daughter had died. Five minutes built from the worst day of my life, said out...
Men in clown masks climb out of a van outside a bank. Nobody has told you their names. Nobody has explained the plan, or why they're wearing rubber grins, or what any of this has to do with anything. Guns come up. Glass breaks. An alarm is already ringing before you've decided whose side you're on. It took me fifty-six words to do what Christopher Nolan does in forty-five seconds. 💡 ONE IDEA WELL That's the opening of The Dark Knight, and it's the clip I played at a workshop at Creative...